New York City, 1911. Meet Coralie, circus girl, web-fingered mermaid, the shy, only daughter of Professor Sardie and raised in the bizarre surroundings of his Museum of Extraordinary Things. And meet Eddie Cohen, a handsome young immigrant who has run away from his painful past and his Orthodox family to become a photographer, documenting life on the teeming city streets. One night by the freezing waters of the Hudson River, Coralie stumbles across Eddie, who has become enmeshed in the case of a missing girl, and the fates of these two outcasts collide as they search for their own identities in tumultuous times.
And there you have the slightly tweaked blurb. This story is told in through the viewpoints, both first and third person, of the two main protagonists, Coralie and Eddie.
Hoffman has certainly done her homework and there is plenty of dense description of the early days of New York City as she pulls away from the immediacy of the first person viewpoints and into more a more panoramic, diffuse overview of their lives and the lives of those around them. However, I have to say that I found this switch from first into third person point of view for the same characters rather jarring and would have far preferred the immediacy and punch of the story if it had remained within the heads of the two fascinating characters caught up in this Gothic tale. Much of the initial creepiness and isolation was diluted by packing in quite so much of the historical detail in the third person viewpoint.
The Museum of Extraordinary Things, by Alice Hoffman | Dark Fantasy | SFReader.com Book Review
No comments:
Post a Comment